Deerhunteris opening for a handful of Nine Inch Nails dates including the Atlanta show on August 13th at the Gwinnett Center Arena. That should be a pretty sweet show. Also, it appears that Deerhunterhas found a replacement for Colin Mee.
Fleet Foxeswill be at The Drunken Unicorn on July 5th.
Grizzly Bearhas added some non-Radiohead-opening dates, the closest of which is in Nashville, TN on July 31st, and I'm thinking I may drive up there for that one.
Yesare doing a 40th anniversary tour and will be in Atlanta at the new Verizon Wireless Amphitheater at Encore Park on August 4th. Tickets go on sale today at 10am so go get them.
La Blogotheque is really cool in case you didn't know, and here's the Black Lips sessions:
Apple is talking about offering unlimited access to the itunes library for a fee.
Lollapalooza early bird tickets are on sale now, but there is still no official line-up.
This year's installment of Camp Bisco July 17th-19th includes Disco Biscuits (3 nights), Snoop Dogg, DJ Shadow and Cut Chemist, MSTRKRFT, !!!, Lotus, DB, Amplive, and more.
Outside Lands Fest in San Francisco, Ca August 22nd-24th will include Radiohead, Tom Petty, Beck, Wilco, Primus, Regina Spektor, Devendra Banhart, Broken Social Scene, Andrew Bird, Black Mountain, Bon Iver, and more.
Chris Strawn of Atlanta's Brass Castlehas a solo album, I Left My Hat In Hades, out now.
Be Your Own Petwill be at the Variety Playhouse May 23rd. Universal cut three songs from their new album, Get Akward, because they were too violent. This is the same label that has released albums from Eminem, 50 Cent, Marilyn Manson, and Nine inch Nails. Obviously, Jemina Pearl could kick all of their asses. Check their new vid:
Video Of The Day: Phosphorescent "Wolves" Live At SXSW 2008
I'm currently uploading some pics while chilling at the Ecstatic Peace show here in Austin. The folks from Indian Jewelry just sat down next to me and are hanging out. Man I love SXSW. Google video finally allowed one of my vids from yesterday to go through, so here it is:
Yesterday I started my day at Emo's, but it was so crowded and I wasn't really digging the bands I heard so, I dipped out across the street to the Brooklyn Vegan party at Emo's Annex (there are about 700 different Emo's venues) because the BV party the night before was so much fun. I caught a band called WHY? that was pretty good.
After that, I decided to just walk up and down the main strip and listen to the music coming from each bar and try to discover some bands I hadn't heard of. Outside some Irish pub I heard a really intriguing band, so I went inside to check them out. It was a band from Dublin, Ireland called Delorentos. They were total dance-rock, like Bloc Party before they started getting all soft and lame. I got a live video, but Google video is acting hella lame today, so I can't post the plethora of vids i took yesterday until a later date. But I did manage to find their official video(although I don't think it is their best song):
After some more walking around I heard another band that sounded promising from a dive called Agave. The Brooklyn, New York trio Appomattox rocked really hard, doing loud post-punky rock.
After that it was time to head back to the Annex, where I caught Men, members of Le Tigre doing the laptop DJ thing. The day before, me and Biggie C were discussing this new trend where bands go DJ and how most of the time they aren't that good at it, but this was an exception as they rocked the dance floor hard.
After that, it was time for Phosphorescent, one of the artists I was most excited about seeing at SXSW. He put on a great performance, doing much heavier versions of his stuff than I would have guessed considering how soft and low-key the album is.
Near the end of the show, I noticed Matthew Houck kept looking at someone in the crowd and cracking up laughing. I finally heard someone screaming stuff at him and turned around. It turned out to be Miles Seaton of Akron/Family acting like he was an obsessed fan. For the Phosphorescent finale, he came down into the audience and sang to the Akron/Family boys:
After that, we stuck around and caught Holy Fuck. I'm not much of a dancer and these days it takes something really special to get me to throw down, but Holy Fuck is just the perfect combination of dance music and noise for me to get really into it. You ATLiens who will be around town on Monday really need to go down to The Drunken Unicorn and catch them playing with A Place To Bury Strangers and Atlanta's badasses All The Saints.
After a short break in the onslaught of great shows, I went and caught Islands. They played almost nothing but new material, and it sounds great. I took a ton of videos, so expect those to show up here sometime in the next few weeks.
After that, it was on to Mohawk's patio to catch one of then night's best line-ups. I got there just in time to catch the end of another Phosphorescent set, where he closed with a 10 minute vocal looping jam. After that, I discovered another great act from California called Bodies Of Water. Really cool stuff with lots of vocal harmonizations. They will be at The Earl Monday night with Sons And Daughters so there is another hot Atlanta St. Patty's Day show you can catch.
Then it was time for Evangelicals. I have been in total love with their new album, so I had been really hyped up for this show. They did not disappoint. They came out with massive blacklights and a fog machine, dressed in a style that was half goth, half candy-raver, and went through songs off the new record. Again, expect many live videos to pop up around here in the near future.
Next up on the outdoor stage was Bon Iver. They went through a handful of the beautiful songs on For Emma, Forever Ago, and wow did they sound good. If you have yet to pick up this album, you are missing out.
After that, we switched up things entirely by seeing Indian Jewelry. I would describe their sound as Liars meets Atlanta's Subliminator. It was a spectacle of strobe lights and minimalist percussionists that were there more to dance than to make music. Very interesting show.
We closed out the night at Emo's Outside stage. I got there just in time for the end of Islands' set, but this time they closed with the amazing "Swans (Life After Death)". Unfortunately, the one dark moment of the entire festival came as some sound guy walked out on stage with a few minutes left in the song right and the PA shut off. They actually cut off their last song. Nick Thorburn found a microphone that was still hooked into the PA and yelled "Fuck SXSW!" Everyone started booing, it was a crazy scene.
After that debacle, We ended our night with an awesome set from Austin's The Octopus Project.
It's on to more music, so I'll holla at you later.
REM, The National, and Modest Mousewill all be at Lakewood Amphitheater on June 21st.
Tom Pettywill be playing at Verizon Wireless Amphitheater at Encore Park. You're probably thinking, what the hell venue is that? Me too. So I googled it, and it is a new venue in Atlanta (actually Alpharetta, Ga) that will open in May. Check it out.
Phosphorescentis doing a huge tour and totally skipping the south. Lame. Although if you go to SXSW with us you can catch him there. Lucky me. Here's a vid:
Listen to Thom Yorke doing cool stuff on BBC Radio 2.
After 43 years, Israel has un-banned The Beatles from their country. Maybe the middle-east can give peace a chance now.
Jimmy Pagesays no moreLed Zeppelin concerts until at least September because Alison Krauss is way more important. I guess that means no Bonnaroo LZ.
The mysterious Vineland Festival that was supposed to go down in New Jersey in August is being scrapped this year and will hopefully debut in 2009. All Points West Fest (Coachella East) announced they were going head-to-head with Vineland the same weekend in about the same spot last week.
Jazz Fest in New Orleans has announced a line-up. It goes down April 25th-May 4th.
Acid Mother Templewill be at the Earl on March 20th.
New Orleans' Jazz Fest has announced a few headliners (The Neville Brothers, Tim McGraw, and Maze featuring Frankie Beverly) and some dates(April 25th-June 4th). Full line-up announcement will come next year.
Today's theme: From Old-school folk to Nu-school dope
Iron And Wine
Iron And Wine's 2005 EP Woman King was one of those rare EPs that are so good you forget it is not a full-length album. He hit a stride in his songwriting that produced purely beautiful, perfect songs and the question was whether this was a peak moment or whether Sam Beam could continue on in this fuller, more engaging type of stuff as opposed to his earlier, quieter folk songs. With his third LP, The Shepherd's Dog, he has proved that Woman King was no fluke and that he is wholly capable of producing top-notch tunes in bulk. Check it out yourself:
The British production and remixing team of Rich Machin and Ian Glover's second album, It's Not How Far You Fall, It's The Way You Land, has been in my heavy rotation lately and it should be in yours as well. Featuring Screaming Trees' Mark Lanegan on vocals all over it, it's a great album that sort of feels like a more folksy and bluesy version of The Cinematic Orchestra. The opening track "Revival" is such an epic and gorgeous song:
I just listened to Pride last night for the first time and was blown away by how awesome this album is. Typically I let a new album marinate in my brain for a little while before I talk about it here, but I felt the short release sort of reminded me a lot of Iron And Wine in a more indie-rock way and when I experience a rare amazing first listen I have to pass it on. Phosphorescent is Athens, Ga native Matthew Houck and is someone that I did not know about until now but will be looking into deeply. Check it:
Another great band i've just recently got turned on to is Castanets, aka Raymond Raposa plus revolving cast. The psychedelic folk action on their latest release, In The Vines, is a challenging but vastly rewarding listen that I like more and more every time I jam it. There's something so cool about taking such a conservative sound such as folk and pushing the limits of experimental with it.
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